Tag Archives: marvel

The Haul – May 11th, 2016

The Weekly Haul Header

Welcome back to The Weekly Haul, where we’re taking a look at what I picked up this past week at the comic shop!  Starting this haul, I’ve added a quick rating system, something that you can look at and get the gist of my opinion on the issue without having to slog through my poorly-worded amateur thoughts.  I spend some time thinking about what image to use for the scale — stars are SO played out, right? — and finally decided on a picture of the thing that strikes a chord with me for all the right reasons and with my wife for all the wrong reasons…THE LONG BOX.

5

Yeah, not that thrilling, I know, but hopefully visually helpful.   So, it’s a typical scale from 1 to 5 long boxes.   The added bonus of choosing the long box, by the way, is we can also add in the “point five” ratings with…

Short Box

THE SHORT BOX!  So much white cardboard, so much joy…

Anyway, in the break, I’ve been up to…you know…uh…nothing, but Remy has been busy with his Quite The Character Stand Up Comedy Shows.  Check out some clips below from the most recent installment, with our very own Remy as host and whiny moisture farmer:

If you’re in the New York area, keep a look out on the interwebz for their next show.

Anyway, to the haul!

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IDW
Teenage Mutant Ninja Turtles #58 –

Written by Kevin Eastman, Bobby Curnow, & Tom Waltz; Art by Mateus Santolouco & Dave Wachter
Written by Kevin Eastman, Bobby Curnow, & Tom Waltz; Art by Mateus Santolouco & Dave Wachter

Is it any surprise that we shouldn’t trust a huge, overly-polite, talking crocodile?  Leatherhead showed his true colors at the end of last issue and, in this installment, our heroes try to save the not-so-evil Utroms from his wrath.  It’s another strong issue from this series which has been one of the most solid and consistent reads out there.

4.0

Image
GrizzlyShark #2 –

Story and Art by Ryan Ottley
Story and Art by Ryan Ottley

Listen, if you’re interested in anything resembling a meaningful plot with character development, look elsewhere.  This book is fun and gruesome and over the top and, while I really enjoyed it, it also borders on one-note and repetitive.  The art is fantastic Ottley-gore but for four dollars?  The complete package just isn’t worth it.

2.5

DC
Batman #51 –

Written by Scott Snyder; Art by Greg Capullo
Written by Scott Snyder; Art by Greg Capullo

And so ends the excellent run on Batman for Synder and Capullo.  Whereas the last issue wrapped up the Gordon-BatMech storyline and brought Bruce back into the cowl, this issue is their epilogue/love letter to Gotham and its protector.  We get to see familiar locales in the city — from Arkham to the rooftops to the Batcave — all for the purpose of reveling in Capullo’s amazing art.  I’ve thought that their run had some very high highs and some very boring lows, but overall, Snyder and Capullo have made a lasting mark on the Bat.

3.5

Earth 2: Society #12 –

Written by Dan Abnett; Art by Iban Coello
Written by Dan Abnett; Art by Iban Coello

I’m not sure if this book is on its last legs with the upcoming DC Rebirth — in fact, the original JSA was featured on the back cover of this past month’s Previews — but there’s not much left to salvage.   The heroes are all still very one dimensional and the great conflict set up in the story — the absence of any natural resources on their fake world — is just ridiculous.  Really?  Nothing?  No resources whatsoever?   In the resolution, Green Lantern gives up his ring to power the planet.  Should we be upset?  You mean that GL can’t just float around and not interact with anyone anymore?  Oh no…  I’ll give the book some points for Coello’s art, but the story is just a snoozer.

1.5

Legends of Tomorrow #3 –

Firestorm by Gerry Conway & Eduardo Pansica; Metamorpho by Aaron Lopresti; Sugar & Spike by Keith Giffen & Bilquis Evely; Metal Men by Len Wein & Yildiray Cinar
Firestorm by Gerry Conway & Eduardo Pansica; Metamorpho by Aaron Lopresti; Sugar & Spike by Keith Giffen & Bilquis Evely; Metal Men by Len Wein & Yildiray Cinar

Anthology books have it hard.  On the positive, these types of comics get to feature characters and concepts that otherwise might not be able to support their own ongoing series.  On the other hand, though, they’re the perfect setup for, what I call, the BoDeans effect.  You may remember (or equally not remember the BoDeans, an alternative rock band from the ’80s and ’90s out of Wisconsin who didn’t attract much commercial success until their song, Closer to Free, was picked as the theme song for Party of Five.

I thought the song was great, but I could never find the single release and had to buy the whole (not great) album just for the one song that I wanted.  All of this aside to explain that buying an $8 comic book for only one of the 4 stories just seems not worth it.

But, overall, this second issue isn’t all bad.  Firestorm, written by creator Gerry Conway, is decent but gives more high-stakes when I really want more teenage drama.  Metamorpho, a character that I’ve always found very interesting visually but never really followed his character, is handled by Aaron Lopresti.  His art is fantastic but the story, which I guess is Metamorpho’s first introduction to the New 52, is fairly convoluted already, incorporating Kanjar Ro and aliens and all sorts of insanity.

The other two stories, though, I enjoyed a lot more.  First, Metal Men does a great job injecting a TON of humanity into the robotic titular characters and cameos both Red Tornado and Robotman — a welcome addition to the story.  (God, if you aren’t completely taken with Tin, you have no soul.)  And Sugar and Spike?  You know, the grown up versions of these guys?

sugar and spike

Can I be honest and say that I liked their story the best?  Now young adults, Sugar and Spike are private investigators, helping sort out crimes that the superheroes can’t or don’t want to themselves.  In the first issue, they helped recover some of Batman’s costumes from Killer Moth, last issue they helped Superman recover some Kryptonite from Superman Island:

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and in this issue, they track down some shapeshifting aliens, one of which Wonder Woman nearly married when she was young.  Giffen’s writing is great and, though our leading characters could have equally been just new to the universe without being the grown-up versions of a humor comic from the ’50s and ’60s, he gives them a ton of characterization.  The best part, by far and way, is the art by Bilquis Evely with colors by Ivan Plascencia.  Just gorgeous.

So, 2 decent stories and 2 above average stories for $8.  What do you think of that value?  Eh, right?

3.0

Marvel

All-New All-Different Avengers #9 –

Written by Mark Waid; Art by Mahmud Asrar
Written by Mark Waid; Art by Mahmud Asrar

Fresh off her appearance in the Free Comic Book Day Avengers title, the new Wasp (though there is already the old Wasp hanging around, most recently in All-New Wolverine) and Hank Pym’s daughter, Nadia, finds the team, saves the day (how convenient), and then goes off with Jarvis to find her father.  Meanwhile, the rest of the team is still dealing with a Vision who is not in control of himself and prepare for what seems to be a crossover with Nova’s title.  It’s all fine and I’m all for more young characters in a team book, but is Nadia needed when we’ve got the original Wasp in comic book limbo?  Plus another crossover?  I really like Waid’s writing and Asrar’s art is also great, but I’d appreciate some non-crossover stuff before we just completely into Civil War 2.

2.5

All-New X-Men #9 –

Written by Dennis Hopeless; Art by Mark Bagley
Written by Dennis Hopeless; Art by Mark Bagley

Wow.  I am…well…wow.  Reading Hopeless’ books is such a roller coaster.  I’m never sure if it’s going to be terrible or fantastic.  This issue is absolutely, without a doubt, the latter.  Hopeless shows his respect of X-Men history in his deft handling of Evan’s birthday party, showing his past upbringing and his mental state, giving the reader both some excellent characterization and some great X-character cameos in the first half of the issue.  Evan and Beast do some more time traveling (are we done pretending that time travel was really a problem and the characters had to stop or the world will end?) and we are set to do some more Apocalypse history building.

4.0

Black Panther #2 –

Written by Ta-Nehisi Coates; Art by Brian Stelfreeze
Written by Ta-Nehisi Coates; Art by Brian Stelfreeze

Coates and Stelfreeze’s second issue is a slight step downward from their debut, which was a fantastic and interesting foray into a character that I never had much connection with before.  Here, they continue to make T’Challa’s mental state of great importance, having to balance between ruler, brother, son, and citizen, but the focus gets a bit less clear towards the end, when we get some type of reveal about the not-dead/not-alive former Queen Shuri.  Coates has been clear that things will make sense as we read on — and I’m okay with that (hell, I stuck with Morning Glories for 30+ issues) — but in a world where BP is finally getting both literal and figurative screen time, I wonder if some more straight-forwardness wouldn’t be the worst thing.

3.5

Darth Vader #20 –

Darth Vader 20
Written by Kieron Gillen; Art by Salvador Larroca & Mike Norton

As if the previous issues didn’t feel slow enough, this installment really slows down the action in the main part of the book, though Gillen’s writing of the Emperor is actually quite good.  It’s more character maneuvering than plot progression or action, but it’s a nice change in direction as Vader starts cleaning up his loose ends.  There’s a Beetee and Triple-Zero backup too, with art by Mike Norton; fans of the bloodthirsty droids will enjoy it, I’m sure, but these guys just don’t do it for me.

2.5

Deadpool #11 –

Written by Gerry Duggan; Art by Matteo Lolli
Written by Gerry Duggan; Art by Matteo Lolli

Wow.  What a non-end of an end that was.  After all the build up — since before Axis, actually — Deadpool finally learns the truth about his parents’ fate.  And what does he do?  Nothing.  Just.  Wow.

1.0

Web Warriors #7 –

Written by Mike Costa; Art by David Baldeon
Written by Mike Costa; Art by David Baldeon

Now HERE’S a fun book.  Off the loss of a few main characters in the previous arc, this issue brings back Hobart Brown, the Spider-Punk of Earth-138 and also brings back, fresh off the pages of 1993’s What The–?! #26…

What_The_Vol_1_26

Spider-Ham 2099!  (God, I love this book.)  The story is a blast and the art by David Baldeon is incredible.  BUT WAIT.  The last page reveal?  Marvel is officially bringing back the Mega Morphs.

The Mega Morphs, you say?  What? Yeah, these guys:

Is nothing off limits?

4.5

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What was in your haul this past week?  Any toy lines you want back in comics continuity?   Leave a comment below and join the conversation!

The Haul – April 6th & 13th, 2016

The Weekly Haul Header

Yup, I let the books pile up for two weeks AGAIN and what did that get me?   All these reviews!

Oni Press
Exodus: The Life After #5 –

Written by Joshua Hale Fialkov; Art by Gabo
Written by Joshua Hale Fialkov; Art by Gabo

Exodus remains one of the strangest yet one of the most interesting books that I read.  For those not following along, this comic follows the adventures of Gabe (who is Jesus, yes that actual Jesus), who has been living in purgatory, as he meets people (including Ernest Hemingway) and tries to understand his place in the great battle between Heaven and Hell.  Happy light fare, right? Most recently, Hemingway was made into the new God, replacing the cryptic and slacker “potato” God, and Gabe again had his memory restored.   And in this issue?  All things go nuts.  Heaven’s agents try to kill our heroes while Hell goes on the offensive and, ultimately, Potatogod deus ex machina-s the whole thing, setting Gabe up for his next revolution.  The art is solid and the story is a perfect mix of weird and fun.

Image
GrizzlyShark #1 –

Written by Ryan Ottley; Art by Ryan Ottley
Written by Ryan Ottley; Art by Ryan Ottley

From the mind and pencil/pen/digital drawing implement of your choosing of Ryan Ottley, the long-time artist on Invincible, we’ve got a new series about a…grizzly shark?  Yup, that’s right, a vicious land shark who attacks and brutally kills anyone with the smallest amount of exposed blood.  Ottley first approached this character back in 2010 and (I believe) this first issue is a color reprint of that material.  His art style here is not the tight lines that you may expect from his work on Invincible; it’s much sketchier and free-flowing.  As for the story?  It’s gruesome and gory and over the top/campy, which is fine if you like that stuff.  For me, though, it read very much like a lesser version of the stuff that Ryan Browne does in God Hates Astronauts.

Jupiter’s Circle #5 (of 6) –

Written by Mark Millar; Art by Chris Sprouse
Written by Mark Millar; Art by Chris Sprouse, Walden Wong, & Ty Templeton

As the team is now reunited with still two issues to go, of course Millar is going to use these remaining moments to destroy everything once more.  Skyfox, who has been the vocal dissenter of his former team, is now back with his old friends and finally makes the big step of talking to Brainwave, with whom he had accused of using his powers to brainwash his old girlfriend away from him and into Brainwave’s arms.  It’s a humbling moment for Skyfox, who Millar has obviously set up as the reader/outsider-surrogate, and is pointed by Brainwave admitting to the act, causing Skyfox to go nuts and the team, in their confusion, turning on the raging hero.  It’s all set up for the final issue and it’s been a great ride.

The art switch mid-issue is very dramatic and the second half of the book is just not as appealing and the front half.  I’m hoping Sprouse will be back in full-force for next month’s conclusion.

DC
Detective Comics #51 –

Written by Peter J. Tomasi; Art by Fernando Pasari
Written by Peter J. Tomasi; Art by Fernando Pasari

And here I thought we were done with the whole Gordon thing?  Despite the turning back the reins to Bruce and Gordon getting rid of the mohawk youthful appearance, this issue of Detective Comics missed the memo and starts a new (at least 2 issue) arc focusing on a who-knows-how-old-he’s-supposed-to-be Gordon going back to the Marines to do…something.  No Batman.  Just sand.


Earth 2: Society #11 –

Written by Dan Abnett; Art by Federico Dallocchio
Written by Dan Abnett; Art by Federico Dallocchio

Abnett is juggling a ton of characters in this book — a literal whole Earth-worth of characters — and though the heroes do have some nice moments, overall the book just feels stretched thin.  I think back when their counterparts were all in the JSA, back when DC’s universe was condensed all on one Earth, and the mix of young and old heroes led to dynamic moments.   Here, though, it’s just more of the same conversations about peace or war, Batman doing everything perfectly all the time, and Wildcat taking punches.

Green Arrow #51 –

Written by Benjamin Percy; Art by Szymon Kudranski
Written by Benjamin Percy; Art by Szymon Kudranski

I get Green Arrow via a DC mail-order subscription.  This issue, like many, came nearly destroyed, a tear down the spine with the covers almost completely detached, and folded and battered corners.

The condition of the book itself is in better shape than the story being told in the issue.  It’s terrible.  Sorry, everyone, but it’s just a mess.

Green Lantern #51 –

Written by Robert Venditti; Art by Rafa Sandoval
Written by Robert Venditti; Art by Rafa Sandoval

No question, Sandoval’s art on this issue, his first of hopefully many, is fantastic.  But the story?  It’s no wonder that DC needs to do another universal reboot/relaunch/resomething.  Is this filler?  Is this an attempt an interesting story?  I’m not sure.  But, I will say that I’m looking forward to Rebirth in order to get the current state of books like this and Green Arrow back on track.

Superman #51 –

Written by Peter J. Tomasi; Art by Mikel Janin
Written by Peter J. Tomasi; Art by Mikel Janin

This was an interesting turn.  After the events of Superman and Action Comics #50, where our hero’s powers were returned after a long, crazy stretch of insanity and everything seems to be moving in a more positive direction, this issue tells us that Clark is dying.

Huh?

Yup, he’s dying and he asks Lana to bury him next to his parents and he flies off with Lois to tell her all about his past.  There’s something about whoever trying to break into the Fortress of Solitude’s computer network (what, like Supes is on AOL or something out there?) and a young escaped criminal becoming imbued with powers and calling himself Superman.  Is this Tomasi’s version of Death and Return of Superman?  I don’t know, but what I do know is that I was hoping for some classic Superman and we went right back into another “fighting against death” story (after the last 3 fighting against death stories).  Janin’s art, on the positive, is beautiful, and was worth the price of admission, but I was hoping for something more uplifting in the story.

Marvel
A-Force #4 –

Written by Kelly Thompson & G. Willow Wilson; Art by Jorge Molina
Written by Kelly Thompson & G. Willow Wilson; Art by Jorge Molina

After the apparent death of Dazzler last issue (but don’t worry, roller disco fans because she’s still got those dumb resurrection powers from her New Excalibur days), the rest of the all-female superSWAT team go up against the all-too-powerful/all-too-undercharacterized Antimatter.   I like Wilson and Thompson’s writing — the characters have EXCELLENT internal consistency with their voices and they also show a lot of respect from past continuity here (again, with Dazzler’s powers and her history with Mystique, which is finally addressed after she disappeared from the pages of Uncanny X-Men a while ago).  My biggest issue with this comic was that I wasn’t sure what the role of this team was.  A-Force in the pages of Secret Wars was a good gimmick — an all-female superhero world — but in the main Marvel universe this group didn’t seem to have a particular place.  Thankfully, though, this issue closes with a new “business plan” for the crew, something that may be very fun to watch.

All-New X-Men #8 –

Written by Dennis Hopeless; Art by Paco Diaz
Written by Dennis Hopeless; Art by Paco Diaz

Hopeless and Diaz give us a one-and-done focused on Beast, who is conceding that science has failed at getting him and his friends back home to their original time.  As a last-ditch effort, he goes to Dr. Strange (has Marvel made it clear enough that Strange will be in the movies soon?) for help using magic to do what science cannot.  It’s a boring issue, focusing on characters that don’t interest me, and the fighting is catalyzed by that dumb Bamf Pickles.  (WHY THAT NAME???)

All-New All-Different Avengers #8 –

Written by Mark Waid; Art by Adam Kubert
Written by Mark Waid; Art by Adam Kubert

And this issue made me understand why no one is talking about this crossover!  It’s because it doesn’t matter at all!  I look forward to the day that I’m not, I don’t know, hoodwinked into thinking that Marvel understands how to do crossovers that aren’t blatant grabs at selling books over telling stories that are interesting.  In this issue, of all the assembled heroes, it is none other than Deadpool who saves the day, gets the Cosmic Cube girl Kubik to return their powers, and get us into the “Omega” issue concluding this crossover.  There was no development here whatsoever and, though Waid’s dialogue is great, the plot is a bust.  Kubert’s art has been the high point of this series so far for me and it’s excellent here too.

Amazing Spider-Man #10 –

Written by Dan Slott; Art by Giuseppe Camuncoli
Written by Dan Slott; Art by Giuseppe Camuncoli

This issue made me realize something important about Dan Slott.  He is the modern-day equivalent, at least for me, of 70s-80s era Chris Claremont on X-Men.  While this issue is focused on Spidey’s continued assault against Scorpio and his Zodiac (and we get some interesting reveals about his identity and the nature of his henchmen), Slott has been and continues to lay the groundwork for other plots — Doc Ock inside the Living Brain, old villains being recruited by a mysterious person.  This is the type of comic writing that I love and miss.

Black Panther #1 –

Written by Ta-Nehisi Coates; Art by Brian Stelfreeze
Written by Ta-Nehisi Coates; Art by Brian Stelfreeze

This new series has been getting a lot of mainstream media attention, much thanks to Coates’ writing — the MacArthur Genius, National Book Award winner, and social-political commentator moves from prose to the comic pages here, hoping to make Black Panther, in his words, into “some kid’s Spider-Man”.  He’s signed onto this title for around a year of issues (if I remember correctly) and the slow pacing of this first issue definitely sets up the general direction of his run.  I’ve never been particularly interested in Black Panther so I don’t presume to know a ton about the character, but Coates does a really excellent job at forming a fresh look (at least for a fresh reader) at T’Challa and Wakanda.

T’Challa is a good person, but a troubled person.  He’s been on the losing end of some big battles up until now, which then has made him act in anger and vengeance.  His country balances on the edge of deep-rooted tradition and the newest and most advanced technology.  T’Challa makes efforts here to sort out and balance being a son, a brother, a king, and a soldier, all while his subjects rebel and he mourns his losses.  It’s really a lot all at once, but I guess when you’re swimming in that Genius Grant money, you’ve got the brains to juggle all of it.

Darth Vader #19 –

Written by Kieron Gillen; Art by Salvador Larroca
Written by Kieron Gillen; Art by Salvador Larroca

Such a mixed issue here.  On the plus, Vader’s portrayal is really interesting to see — powerful but temperamental, a figurehead but ultimately under the foot of the Emperor — and I suppose that the C-3P0 and R2D2 stand-ins are funny enough.  But, the antagonists here are ultimately forgettable and Larroca’s art, which I remember in the late ’90s and ’00s being excellent, looks rushed and unfinished.  Next issue gets us back into Emperor-related stuff, a well-deserved change for this title.

Deadpool #9 –

Written by Gerry Duggan; Art by Matteo Lolli
Written by Gerry Duggan; Art by Matteo Lolli

I still have mixed feelings about the taming of Sabretooth that happened as a result of the terrible Axis story from 2014 (I was much more interested in reading more about Havok’s inversion, a storyline that never happened), but Creed’s newly-developed conscience about his past misdeeds have put him right in Deadpool’s target.  To catch those who are not reading up: a long time ago, Sabretooth helped brainwash Deadpool into killing his own parents.  Deadpool thinks that Sabretooth was the one who killed them and hasn’t yet found out the terrible truth.

This issue starts off with a particularly bloody fight between the two kinda-heroes, which is exciting to see, but then moves away from any resolution in order to drag the story out for a few more issues.  I like the concept, but completely the execution.

Empress #1 (of 7) –

Written by Mark Millar; Art by Stuart Immonen
Written by Mark Millar; Art by Stuart Immonen

Wow.  Really.   It was Immonen’s name on this book that sold me — he can draw anything and I’m on board, this issue is beautiful — but Millar’s story here is excellent in this first issue.   The story here is about a common woman, elevated to queen by marrying the king of a brutal, gladiator-type planet, who escapes his iron-rule, along with her three kids, with the help of her bodyguard.  In fairness, there’s not much in terms of characterization in this VERY fast-paced premiere, but the story itself is a good-enough launching point.

Guardians of the Galaxy #7 –

Written by Brian Michael Bendis; Art by Valerio Schiti
Written by Brian Michael Bendis; Art by Valerio Schiti

Damn you, Art Adams, for making such amazing covers that have nothing to do with the story whatsoever.  Though Thing doesn’t ride a space horse and cut alien gladiators down with a sword, he does team up with Rocket to rescue some slaves from the Badoon and, in the process, get into a relationship with an alien.  It’s a fun issue for sure and, though he’s not Adams, Schiti’s art on the interiors is very good.  Next issue looks to be focused on Groot and Venom — not as interesting for me as this pairing was.

Mockingbird #2 –

Written by Chelsea Cain; Art by Kate Niemczyk
Written by Chelsea Cain; Art by Kate Niemczyk

Though we’ve moved away from the medical humor mostly and jumped into fairly-typical superheroics, the lightness of this book remains apparent.  For fans of Agents of S.H.I.E.L.D., Lance Hunter’s voice will be familiar (though he’s not drawn to match actor Nick Blood, he’s certainly been de-aged to his 20s/30s) and Bobbi’s portrayal is tough, take-charge hero stays true.

Moon Knight #1 –

Written by Jeff Lemire; Art by Greg Smallwood
Written by Jeff Lemire; Art by Greg Smallwood

The eighth number one issue of Moon Knight arrived this past week and, for a character that I happen to like, he’s proven to be successful in short bursts only.  Lemire is a mixed bag for me — either I really love what he writes or it comes off as scattered and unfocused.

This issue is excellent.  Mental illness is always the obvious focus of Moon Knight, at least in the last few series, but Lemire takes it a bit further.  Instead of multiple personalities, the backbone of Bendis’ run for example, the question here is if Marc Spector is Moon Knight at all or if he’s a person with mental illness imagining himself in fantastical scenarios.  There’s nothing answered here in this first issue, only questions being raised, but it’s a well-constructed opener.  The art by Greg Smallwood, who worked with Brian Wood on part of Moon Knight’s last run, is also great.

New Avengers #9 –

Written by Al Ewing; Art by Marcus To
Written by Al Ewing; Art by Marcus To

Well, this is a whole mess of nothing important.  While I like the idea of a bunch of lower-tier characters making a name for themselves, this book is doing nothing for the cast.  Fighting a Godzilla with an American Flag tattoo?  Really?  On the bright side, Marcus To’s art is a ton better than Sandoval’s over-deformed characters and I’d love him on a book that has more universe-relevance than this one.

Old Man Logan #4 –

Written by Jeff Lemire; Art by Andrea Sorrentino
Written by Jeff Lemire; Art by Andrea Sorrentino

Bummer.  Here I thought that we were going to get a universe-romp with Logan slashing his way through villains.  Instead, we get a nice few pages of Captain America trying to knock some sense into Logan which immediately transitions into him being mopey and then meeting up with Extraordinary X-Men #1.  Uneven and disappointing.

Spider-Gwen #7 –

Written by Jason Latour; Art by Bengal
Written by Jason Latour; Art by Bengal

In the second installment of the Spider-Women crossover, despite the title of the issue, the focus here is mostly on Jessica Drew, Spider-Woman, as she gets an understanding of what Spider-Gwen’s world is all about.  This provides us with cameos from this Earth’s versions of the Fantastic Four, Reed Richards, Howard the Duck, and She-Hulk.  Robbie Rodriguez has retired from comics, sadly, and has been replaced with the mononymed Bengal (mysterious…), who does a nice job recreating the more frantic look of the title.

Spider-Man #3 –

Written by Brian Michael Bendis; Art by Sara Pichelli
Written by Brian Michael Bendis; Art by Sara Pichelli

And, from miles away, I can hear Remy scream with glee as Goldballs gets inserted into the ongoing cast of this book.  I could write about how the story is great and the art continues to be amazing, but I’ve got to respond to the 500 texts from Remy about how this is the best moment ever.

Spider-Women Alpha #1 –

Written by Robbi Thompson; Art by Vanesa Del Rey
Written by Robbi Thompson; Art by Vanesa Del Rey

In an effort to get all three of the popular Spider-related female characters together, Marvel has orchestrated a crossover that is actually smoothly done.  All three characters, already friends, get together for lunch on Spider-Gwen’s earth and, due to the machinations of other-Earth’s S.I.L.K., get trapped there.  There’s some implications about Silk getting to see her alt-family, which I’m sure will be explored in her title’s issues, but the more interesting thing for me is seeing Jessica react to being trapped away from her newborn son.  The art is not my cup of alternate-reality tea — it’s muddy and uneven — but the characters themselves are fun to read.

Star Wars: Poe Dameron #1 –

Written by Charles Soule; Art by Phil Noto
Written by Charles Soule; Art by Phil Noto; BB-8 backup by Chris Eliopoulos & Jordie Bellaire

I really like how Marvel is using the comics to expand out the between-the-movies moments.  This title reveals some of the backstory leading up to Poe’s meeting with Lor San Tekka, seen in the opening moments of The Force Awakens.  Of course, things aren’t easy and Tekka isn’t in the first place that Poe and his Black Squadron look, but it’s nice to flesh out the new expanded universe here.

The backup is a Chris Eliopoulos joint, a fun cartoon story about BB-8 playing robo-matchmaker between a pilot and technician.

Star Wars Special: C-3PO #1 –

Written by James Robinson; Art by Tony Harris
Written by James Robinson; Art by Tony Harris

And talking about expanding the Star Wars mythology into the comics, we FINALLY get the answer to the question that everyone was asking…how did 3PO get that red arm???

Anyone?

No one?

Yeah, exactly, it doesn’t really matter so much how he got the arm and that’s the problem.  The story itself is actually quite nice — it humanizes the droids in a way that may border on too on-the-nose but it weaves moments of friendship and sacrifice — but it’s within the framework of a plot note that is near-irrelevant.

Uncanny Avengers #8 –

Written by Gerry Duggan; Art by Ryan Stegman
Written by Gerry Duggan; Art by Ryan Stegman

As the team slowly wakes up from their Cosmic Cube-induced brainwashing, Rogue gets front-and-center billing in this issue, as it is her training from Professor X that allows her to personally break free.  As for how she then gets everyone else to “wake up”?  Well…comics!  Because it just happens.

Uncanny X-Men #6 –

Written by Cullen Bunn; Art by Ken Lashley & Paco Medina
Written by Cullen Bunn; Art by Ken Lashley & Paco Medina

I love Angel.  Unapologetically.  I know that he’s just a guy with wings who dodged stuff and, because it’s a pretty weak power, they decided to turn him into a blue killing machine in the ’80s.  I liked his relationship with Psylocke and I loved when he got his wings back in the late-’90s.  I even liked the switching back-and-forth from metal to feathered wings and, yes, I didn’t mind the mind-wiped Angel from the days of the Jean Grey School.  I’ve been waiting for Bunn to focus on him and it certainly makes sense that the Apocalypse Wars would be the time to do it.  More questions are raised than answers, but if it’s in the name of sorting out what’s up with Warren, I’ll play along.

The B-plot focuses on Sabretooth and Monet going into the sewers and being confronted by Callisto (no tentacles!), who is out to kill Creed for his past acts, in particular killing the Morlocks during the Mutant Massacre (which just happens to be the same story that resulted in the initial amputation of Angel’s wings).  It reminded me of one of my FAVORITE X-Men issues (and one of my first), Uncanny X-Men Annual #18 (from 1994), when Sabretooth and Shadowcat go into the tunnels and are attacked by the Morlock Caliban.

Bunn is doing an amazing job with this title — could it be the best X-title out there right now?

Web Warriors #6 –

Written by Mike Costa; Art by David Baldeon
Written by Mike Costa; Art by David Baldeon

This is more of a cool-down recovery issue, coming off the heels of the Electro stuff and the apparent deaths of Spider-Girl (Mayday Parker) and Spider-UK (Billy Braddock).  Note: don’t worry, they’re totally fine.  This issue brings the team to Pavitr Prabhakar’s (Spider-Man India) world to fight his version of Venom (quick fight) and is narrated by Spider-Man Noir.

Wow, everything that I wrote in that last paragraph is insane.

Comics!

X-Men ’92 #2 –

Written by Chris Sims & Chad Bowers; Art by Alti Firmansyah
Written by Chris Sims & Chad Bowers; Art by Alti Firmansyah

Oh, Dracula.  I understand your ties to the X-Men.  I get it.  It just doesn’t mean that I have to like it.  In this issue, there’s a ton of good ’90s (and ’00s) stuff that I love — Generation X and X-Statix characters, Gamesmaster, Fitzroy, Shinobi Shaw, and Fabian Cortez being shadow cabal-y, Rogue AGAIN fighting a bear — but there’s also Dracula.  And, sadly, Jubilee is now a vampire.  Yup, one of the more underwhelming moments in the past decade of X-comics has now made its way into one of the most lighthearted, continuity-light books around.  Boo.

 

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And that’s it from the past two weeks!  A lot of books, not so many coherent thoughts.  What was in your Haul these past weeks?  Leave a comment below!

 

The Haul – March 30th, 2016

The Weekly Haul Header

Happy Fifth Week!   Typically, the fifth week tends to be fairly slow, but I picked up 10 books, including last week’s monster tome that was Batman #50.  That’s right, I’m still testing those DC waters for something fun and interesting…still waiting for it…

To The Haul!

The Haul – March 23rd, 2016

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Light haul this week — only 8 books — but it was my amazing wife’s birthday!

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Though she may not be the biggest comic fan in the world, not only does she let me continue seeding the house with more and more superhero stuff and remind me when there’s a new Walking Dead on the DVR for us to watch — she even likes some of it!  Allegedly…

To The Haul!

The Haul – March 16th, 2016

The Weekly Haul Header

Welcome back to this week’s books at The Weekly Haul!  A quick little comic shop story — when I usually go to pick up my books, I’m welcomed by an empty store, just me and the owner.  Granted, I tend to go late right before they close (thanks to my long commute), but it’s been a while since I’ve been at the shop with other customers.  Point being: I don’t know how to compare my amount of weekly comic purchases with other comic readers.  I’ve always thought that I spend too much on books, especially since I’m usually angry with around half of the comics I read.  This week, though, there was another guy in the shop.  His total: $150 worth of comics from this week’s new releases alone.

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What are all of you spending weekly on average?   Let me know in the comments.

And one more thing — a big congratulations to Batman fan and supporter of the site, Matt, on his wedding!

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Now here we go… To The Haul!

The Haul – March 9th, 2016

The Weekly Haul Header
Welcome back to The Weekly Haul — your spot for less-frequent-than-expected posts of less-informative-than-useful quick reviews of the portion of this week’s comic releases that I happened to pick up!

Can we just get right into it?  No?  Oh, that’s right!  How could I forget???

Remy Birthday
Yes, our very own Goldballs aficionado and staff writer Remy just had a legendary birthday — get on over to his Facebook or Twitter or that corner he hangs out on and show him some love!

To The Haul!

Small Screen Comics – Alias/Jessica Jones

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Though Agents of S.H.I.E.L.D. may have been slow out of the gate, subsequent seasons of the show have improved and, in the wake of Netflix’s Daredevil, the Marvel-TV relationship is strong as ever.  Over on network TV, a new Agent Carter season is due to arrive next year (and you can find our Small Screen Comics article on that show over here) and Fox is starting production on two X-Men shows.  But, subscription on-demand streaming super-heroics have been the most successful and critically acclaimed.  Next up for Netflix?  The private detective Jessica Jones, of course!

Wait…who?  Jessica Jones is first television property without a Marvel movie background or at least a little name recognition.  Who are the comic inspirations for the characters on this new show?  Let’s take a look!  (Note: This article was written before the show’s release, so no specific spoilers for the show here, but we will be looking at the source material.)

Continue reading Small Screen Comics – Alias/Jessica Jones

The Haul – November 4th, 2015

Welp, this is going to be a welcome back edition of The Haul!  It’s been a LONG time since the last post, but that’s all because of good things that have been keeping us busy, I suppose.  Remy and I have still be trudging through our weekly titles and having “serious discussions” about how we can get finished on the Top 162 X-Men Countdown (we’ll get back on that REAL soon), but here’s the fun stuff…

Hi. I want to be your doctor. And I want to also discuss how the X-Men are being pushed aside for the Inhumans in both the comics and the Marvel Cinematic Univ...hey, where are you going???
Hi. I want to be your doctor. And I want to also discuss how the X-Men are being pushed aside for the Inhumans in both the comics and the Marvel Cinematic Univ…hey, where are you going???

I started working at a new hospital this summer and, while the transition has been difficult at times (since I had been at the last place for all of my training over the past 7 years), it’s been a great change.  Still haven’t found the comic fans over here yet, but once I decorate the office walls with comic art, I’m sure they’ll come running in…or away…

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The kids are doing good and Halloween was a blast — that’s The Boy as Stampy Cat (from Minecraft You Tube fame, who he is OBSESSED with) and The Bulldozer as Ariel.  But, that’s not all…

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One more comic fan arrived!  That’s right, we’ve got #3 (and last) all swaddled and ready to learn the Word of X.

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Meanwhile, Remy is busy hitting NYC’s comedy scene hard and trying to track down all of his heretofore unmentioned and possibly unknown children.

We’re hoping to get more active back on the site going forward, so stay tuned and thanks for sticking around!  Now…

To The Haul!

Deciphering the Teaser – Secret Wars 2015

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Click for a HUGE version

Another day, another teaser!  Last time, we tried to decipher DC’s New 52 Multiverse (each of those are separate links — check them out!) and we did a pretty decent job, of course thanks to help from you guys!  At New York Comic Con, Marvel has now released the above teaser (by Alex Ross) for “Secret Wars”, the publisher’s 2015 event in the wake of the current multiverse-spanning arcs in Avengers and New Avengers.  Headed by current Avengers writer Jonathan Hickman and artist Esad Ribic, the event has been clearly marked as a MOICHANDIZING EXTRAVAGANZA, to quote Dan Buckley (Marvel President) — “we’re going to be extending this in a year-long program into 2016 with our merchandising partners, digital partners and other partners.”  Already listed are Hasbro, Gentle Giant, and Hot Topic — get ready for the action figures, guys and gals!

Whereas the original 1984 Secret Wars was about heroes and villains from the main Marvel Earth (called Marvel-616), this teaser promo gives us a clue that this new Secret Wars really is a direct result of the current Avengers storyline — a crossover of Multiversity multiple universal proportions.

SOOOOO for this installment of Lets Try To Figure Out What We’ve Got Here, let’s try to figure out WHO we’ve got here!  As always, we’re more than willing to be wrong — please comment below with your input!  As was said at the reveal, “None of it is random and none of it is brand new.”

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After the jump, let’s decode it!

Continue reading Deciphering the Teaser – Secret Wars 2015

The Weekly Haul – August 27th, 2014

I have reached a disturbing milestone in my life as a comic reader.  I have done something — something that I once deemed TOO TERRIBLE TO EVER DO…

I sent comics to the CGC for grading.

For those of you who are unfamiliar, the CGC, or Certified Guarantee Company (not Comic Grading Company, which I’ve always stupidly thought), is one of the largest (THE largest?) comic grading companies out there.  What they essentially do is take your comic, use a standardized method of describing the condition of your book, give a score of 0.5 (poor) to 10.0 (gem mint), and then (here’s the scary part for me) encapsulate the book in a clear container (to quote their website) “through a combination of compression and ultrasonic vibration”.

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Caution: A combination of compression and ultrasonic vibration may result in vinegar strokes.

Anyway, my big problem with the whole CGC grading/slabbing is that the comic becomes no longer readable.  To me, collecting comics has always (for the most part) been intricately tied to reading.   I like having my runs of titles, going back into the long boxes, and rereading old stuff, discovering interesting things that I may have missed.  I get that we live in the surging digital age of comics, where finding a book is as simple as going onto Comixology and downloading it to the iPad, but — call me an old man — there’s something about holding the book.

So why this time?  I came across two comics that I have relatively no interest in reading but — I’m no dummy — I understand their importance in comics history —

Incredible_Hulk_Vol_1_180Incredible-Hulk-181

 

 
Incredible Hulk #180 and #181 are the cameo and first full appearance (respectively) of the future X-Man, Wolverine.  Granted I am a HUGE X-Men fan and, therefore, having these issues are fun for me, but I am NOT a Wolverine fan.   These issues, while I love the original whiskered-Wolvie, are not special to me.  I don’t know if I’d ever sell them — and I’m convinced that people who slab their books are primarily interested in resale value — but I could part with these (over most of my collection) and be fine with it.

I will give the CGC this — I’m really excited to find out what grade they get.

Anyway…

To The Haul